Listening to the stream of the new U2 record last week, I was struck by how the most interesting bits of the album were the atmospherics — not necessarily the usual chiming guitars or Bono’s falsetto, but the electronic blips and chimes and patterns and samples that build the intros and undercurrents of tracks like Moment of Surrender and Unknown Caller. I kept thinking to myself “wow, that little bit right there? That would make a great ringtone.” And of course, all of those bleeps and blip
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